| Wang Guangyi was born on 1957 Born in Harbin, | | | | Four's reign [i]. |
| China. He lives and works in Beijing, China. The | | | | Certainly, the vast legacy of propaganda that |
| paintings of Wang Guangyi belong to the category | | | | resulted from this period will continue to impact |
| of Chinese contemporary art termed Political Pop: | | | | artists interested in critically examining China's |
| work that appropriates the visual tropes of the | | | | recent visual history. After all, these images were |
| propaganda of the Cultural Revolution, reworking | | | | more than simply popular; for a time, they were |
| them in the flat, colorful style of American Pop. | | | | the only ones allowed. |
| To understand the works of artists engaged in | | | | SELECTED EXHIBITIONS- |
| this practice, it is important to recognize the | | | | 2006 |
| significance and specificity of the images they are | | | | • Galerie ARARIO, Seoul, Korea. |
| using to fashion their work. Without this | | | | 2004 |
| knowledge, the work of artists like Wang Guangyi | | | | • Galerie Urs Meile, Lucerne, Switzerland. |
| may be reduced to a mere aestheticization of the | | | | 2003 |
| experiences of the Cultural Revolution, a view | | | | • Galerie Enrico Navarra, Paris, France |
| which threatens to limit the discussion of these | | | | 1997 |
| works to their formal elements, foreclosing more | | | | • Littmann Kulturprojekte, Basel, |
| important ideological and historical questions that | | | | Switzerland. |
| must be raised. | | | | 1994 |
| It is perhaps equally essential, particularly for | | | | • Hanart TZ Gallery, Hong Kong, China |
| Western audiences, to keep in mind the | | | | Conclusions: |
| dominance that the Maoist regime held over visual | | | | Wang Guangyi had already established his own |
| culture and artistic production in China from 1949 | | | | style and the impact of the work had won him a |
| to 1976, a control that reached a near totality | | | | strong reputation in Chinese art circles. |
| between 1966 and 1972, during the Gang of | | | | What to Do Next... |