Analysis of The Sunflowers - Vincent van Gogh

Vincent's Sunflowershis sunflowers, in fact, that in 1987, a Japanese
"The sunflower is mine in a way." Vincent vancompany paid a record of the equivalent of
Goghalmost 40 million dollars for "Vase with Fifteen
Van Gogh's "Sunflowers" are among his mostSunflowers" at an auction. Van Gogh's many
famous paintings, but few people realize he didsunflower canvases are flung all over the world in
many sunflower pictures, not just the mosttestimony to his mastery, now residing in art
famous "Vase with Twelve Sunflowers" andgalleries in Europe, London and Tokyo, to name a
"Vase with Fifteen Sunflowers." These werefew.
canvases he made to decorate the Yellow HouseDuring his stay in Paris, Vincent hobnobbed with
in Arles in anticipation of his friend Paul Gauguin'ssome of the greatest Impressionist painters of
visit, and in the hope that other artists wouldthe period. The artists all had a great effect on
follow and form a Utopian art community. Someone another, including van Gogh, who was
of Vincent's sunflower paintings are all butrecognized as a formidable genius by "Les Vingt,"
indistinguishable, with only tiny differences toMonet and Toulouse Lautrec, among others. One
prove one reproduction is different from the next.can readily discern the Paris sunflowers from the
During his stay in Paris, he painted cut sunflowersones Vincent painted later, in the Yellow House at
in different stages of being, from fresh to wiltedArles, since they are cut flowers without vases.
to dry.These cut sunflowers are depicted in various
He appears to have brought his passion forstages of wilting, but Vincent's final bright and bold
sunflowers with him from his homeland in Hollandcolor palette is evident at this point in his artistic
wherever he roamed, and indeed, they make thedevelopment, permeating the pictures with life
kind of dramatic subject he loved. Around theand joy.
world today, the sunflower is synonymous withThe master's influence on western art and artists
Vincent's work, immediately recognizable andcannot be overstated. His work bridged
every bit as much his own as the water liliesimpressionism, expressionism, cubism and more
belonging to Monet.with a unique language understood by all lovers of
Vincent's "Sunflowers No. 2," the most famousbeauty and truth. The enormous popularity of a
sunflower still life, yellow on yellow, possesses thesimple vase of sunflowers attests to his power
same universal appeal and impact of all his mostand sincerity.
beloved pictures. So widespread is the appeal of