| Bamboo has been a subject of paintings and | | | | art itself that matters. Whether or not it lasts |
| artisanal crafts in East Asia for centuries. Shinto | | | | very long, is no longer the main concern. |
| shrines and Buddhist temples are often decorated | | | | One of the artists who has been highly integral in |
| with carved bamboo shoots and Zen paintings | | | | exploring the temporary nature of art and the |
| featuring the bamboo plant. However, in the world | | | | beauty that can be found therein is Andy |
| of high art (especially Western art), the bamboo | | | | Goldsworthy, who has produced some of the |
| plant has been relatively underrepresented. | | | | most stunning outdoor bamboo installations in the |
| Granted that, as a subject of paintings, the value | | | | world. He uses bamboo shoots and poles that he |
| of any plant (or any object, for that matter) is | | | | finds already fallen and weaves them to create |
| completely subjective, bamboo as a material for | | | | delicately precise structures that are distinctly |
| sculpture and installation art is incredibly versatile. | | | | man-made but that still feel fully natural. He |
| One of the reasons why bamboo and other | | | | doesn't use nails or artificial adhesives in his |
| organic materials have not been used as much for | | | | sculptures. Finding a natural way of making his |
| sculpture in the world of high art is that sculpture | | | | creations hold together seems to be one of the |
| and monumental artwork was always perceived | | | | main challenges and joys of Goldsworthy's art. |
| as having to be permanent. Sculptures had to be | | | | Another well known artist who is renowned for |
| made of bronze, marble, steel, etc. In other | | | | his bamboo installations is the New York born |
| words, stuff that was going to last for ages to | | | | Gerard Minakawa. Unlike Goldsworthy's meticulous |
| come. But contemporary artists have for the | | | | and naturalistic constructions, Minakawa's bamboo |
| most part come to accept the fact of art's | | | | structures are epic, sometimes several stories in |
| ephemeral nature. Even the Egyptian pyramids will | | | | height, and make unapologetic use of electric |
| someday be nothing but dust. So if nothing truly | | | | lighting and industrial contraptions. Minakawa's |
| "lasts", what's the point of trying to defy nature? | | | | venues reflect this sort of rock star art aesthetic. |
| Thus, sculpture and installation art does not have | | | | His bamboo installations have been prominent |
| to be permanent anymore. It is more the | | | | elements of Burning Man and the Coachella Music |
| experience of the creation and production of the | | | | festival, among others. |