Culturist Pride In Western Art

Yesterday was amazing. I got free tickets to godeclension is hard. The opera had unsurpassed
see the final rehearsal of the opera Lucia dimusic and virtuosity, but its theme was trite. No
Lammermoor at New York's Lincoln Center. Then,one falls in love and kills themselves like that. I
after my daily stay in the library's basement, Ilearned more from the lowbrow musical. Its all
went to a discussion group on Aeschylus' ancientdown hill from Greek plays in terms of
Greek play, the Oresteia. When there I got a callphilosophical depth. But the musical about the
and free tickets to go see A Chorus Line oncommon man speaks to me. One could not say
Broadway. Wow!progress or declension is a theme across the
I tried hard to think of what the common culturistages of Western theater.
lesson was in these three pieces. They are veryMorality was another angle I considered in my
different from eachother. Lucia di Lammermoorsearch for a culturist lesson. In the Orestia,
depicts an over-the-top struggle of love againstOrestes, must revenge his fathers death. But his
an arranged marriage and includes a famous "madfather killed his sister so that the Trojan War
scene" before bodies populate the stage. Awould go well. In avenging his father by killing his
Chorus Line focuses on the lives of much moremother Orestes was also trapped in a lose - lose
believable individuals who are struggling to getsituation. A strong sense of duty motivates the
work in a - you guessed it - chorus line. And thecharacters. In the opera Lucia di Lammermoor,
Oresteia concerns the birth of justice in a dilemmacharacters rebel out of selfish love and the
in which someone must avenge their father'sChorus Line folk only think of their own passion
murder, but this means killing their mother as shewhen it comes to job choice. This could be seen
killed the father. Finding a commonality between allas a moral declension. But, then again, our being
of these was hard.able to do what makes sense to us is a virtue. If
Perhaps the culturist lesson is that the concernsthere is a commonality in all of these pieces, it is
of these Western art pieces are increasinglypeople raging against their situations and trying to
petty. The Greek play, the Oresteia, concernslive according to truths - be they individual or duty
huge issues, fate, the death of the age of thecentered. From a long Western perspective, the
Gods, the Birth of justice, male versus femaleindividualistic passionate dancers are not less
bases of society. The opera had huge love, andrepresentative than the murdering Greek's or the
the Chorus Line was just about averageopera's characters.
individuals. But, saying this is a progression or a