Getting Started in Stock Photography - Choosing Your Equipment

Let's say you have made the commitment to joincamera flash to add a little pop in the dark
the world of stock photography, you have anconfines of their huts made a huge difference.
excuse, and a valid one, to go out and buy someEvery stock shooter needs at least one reflector,
photography gear. What I will share with you hereand a collapsible 32" reflector with white on one
is not necessarily the perfect answer as what toside and gold on the other is a versatile
get, but what does work for me. I can give youworkhorse that is large enough to handle a
some guidelines, and tips, but in every case youtorso-sized subject and small enough to fit in your
will need to take into consideration your ownbackpack. Get one of those. Personally, that one
situation, what and how you will be shooting, whatsize has been invaluable for me and I always have
your budget constraints are and a host of otherone available when I am shooting.
personal considerations.As far as flash units go, over the years I have
Let's start with cameras. I have a fair number ofused Elinchrome, Balcar, Speedotron and Profoto.
would-be professionals ask me what camerasThey have all worked well for me. At this point I
they should buy...and most of the time they endam using Profoto 7bs. Each pack can handle two
up putting price ahead of quality. That is aheads with a total of 1200-watt seconds and
mistake. If you want to shoot professionally, andhave removable batteries, which can handle of
to compete with all of the others who are doing200 full power flashes.
so, buy a professional caliber camera that meetsI am totally happy with these units. I have taken
the image quality requirements of the bigthem with me to Buenos Aires, Bangkok, Mexico
agencies. To fail to do so will be putting you at aand India. Again, though, do your own research.
significant disadvantage.Check the forums, read the reviews, even
You can't go wrong with the high-end camerasbetter, rent some units and try them out. You will
from Canon and Nikon. The models and specsneed to take into consideration the flexibility of
keep changing and improving, but if you go withthe units, the weight and size, the power output,
one of their professional level models you wellwhether they are battery operated or not, and all
have spent your money wisely. I, at the time ofthe various features the different units offer.
this writing, am shooting with a Canon 1ds MKII, aIf you do end up using studio (and location) power
Canon 1ds MKIII, and a Canon 5d MKII. If I werepacks I highly recommend radio triggers or
starting out today I would buy the Canon 5d MKII."slaves". I use Pocket Wizards, but there are a
To determine which camera is best for you, younumber of brands and my lack of experience with
should go to a camera store and hold the topother brands should not prevent you from
models, see how they feel and get an idea ofchecking the other ones out. Once you go
what would be most comfortable for you. If youwireless, you can't go back.
shoot sports you will probably want a differentWhile I mostly rely on my "studio" power packs
model than if you shoot still life. If you shoot infor my produced shoots, in certain situations on
low light levels you might want a different modelcamera flashes play an important role for me. On
than if you shoot primarily in bright light. That ismy last trip to India to shoot stock photos I
why you must do your research. BTW, thewanted to travel light, and relied on the Canon
newest Canons and Nikons have truly remarkable580 EX unit supplemented with a Quantum Turbo
low light performance that represent a seaSC battery.
change in photography.At one point we even had two photographers
Your lenses are your next choice. I could probablysharing the Quantum at the same time (it has
do all my stock photography with the Canontwo power outlets). It was a great decision for
24-105 IS L series lens. That being said, I also findthe kind of photography and style of trip I had
useful, pretty much in this sequence, the Canonplanned.
100-400 IS zoom L Series, the 16-35 Zoom,On occasion I have used hot lights too. I own a
70-200 f2.8 and a f2 135mm. Buying Canon orpair of Lowel Tota Lights for the rare instances
Nikon lenses over third party lenses, in mywhen I need continuous light. They are very
experience, give you a bit more sharpness and aportable and with a 1000-watt bulb put out a
lot more ruggedness. If you are on a budget,good amount of light (and a lot of heat too). Don't
start with a lens in that 24-105 range, and useplug them in to a 220-volt source though; then
that until you find that you are consistently inthey become flash units capable of only one flash,
need of something more.as I found out in a moment of inattention while
It is my firm belief that if you are competing inshooting in Argentina.
the serious world of stock photography you willThe coming thing, however, might just be
need some form of lighting equipment. Even whencontinuous fluorescent Lighting. Google that term
there is plenty of light, say at 4:00pm on a sunnyand you will find plenty of information on it. The
day at the beach, you can create images withlight is beautiful, but in the past when I have tried
more impact, and that will sell better, if you addthem I have found the low output a little limiting.
additional lighting.Now, however, with the new increased ISO
It may be as simple as a reflector, or mightspeeds possible with the latest Canon and Nikon
involve strobes. Recently I found myself backcameras, and possible advances with the lighting
pedaling through the edge of the surf at theunits themselves, they may be a great option for
beach, shooting away at a model running towardsyou. Try them. My advice is to try everything and
me, while an assistant back pedaled alongside mefind out what best meshes with your style of
holding a power pack in one hand and a strobeshooting and the look you are after.
head in the other. The added highlight from theI firmly believe in having the right tool for the job.
flash provides that little extra something that setsIf you don't or can't own, rent. But trying to
that photograph apart from the countless otherskimp when you have the success of a shoot in
competing images. My experience has consistentlythe balance is false economy.
been that used intelligently, supplemental lightingGet the basics then start shooting and learning.
invariably produces a better image than I canWith the instant feedback of digital cameras you
obtain without. Even when shooting Padueng Tribalcan make adjustments after each exposure until
Women in remote regions of Myanmar (the onesyou get it right. So what are you waiting for? Go
with the "rings" around their necks) having an onshoot!