Leonardo Da Vinci - Leonardo's Animals Part 2 of 2

Leonardo is known to have kept horses, alongprocess of raising the necessary funds to build
with dogs, cats and other animals. Althoughthe full-scale, bronze horse. His plan was to give it
numerous animal studies are found throughoutas a gift to the Italians from the Americans. Being
Leonardo's drawings, his most frequent animalsomething of a sculptor himself, he built a clay
sketches are of horses. His renderings aremodel of the horse to Leonardo's specifications.
extremely detailed and life-like. He infused hisAnd, although Charles Dent died in 1994, his
renditions of animals with nobility - a characteristicdream lived on and over four-million dollars was
that stemmed from his deep love and respectraised. On September 10th, 1999, exactly 500
for the animals he sketched and painted.years after the French destroyed Leonardo's clay
In the mid 1480s, Leonardo moved from Florencemodel, the bronze statue was unveiled in Milan. On
to Milan. At that time, Milan was one of the mostOctober 7th, 1999, a second casting of the horse
powerful city-states in Northern Italy. And, it'swas unveiled in Grand Rapids, Michigan. This
Duke, Ludovico Sforza, commissioned Leonardosecond horse is known as the American Horse.
to make a horse like no other to honor theAlong with his studies of mammals, Leonardo
Duke's father, Francesco Sforzo. It was to be amade hundreds of bird sketches. In the medieval
massive, bronze-cast statue - the largest statuepublication Lives of Artists, Giorgio Vasari tells
ever built, standing 24 feet high.how Leonardo would go to the markets and buy
Leonardo made a great number of preparatorycaged birds, and then open their cages, giving
drawings for his Sforza Horse. His notebooks arethem back their freedom.(1) Leonardo studied the
filled with proportional studies of horses. There aremotion of their wings in flight as well as their
detailed diagrams of the anatomy of horses, alonganatomy and physiology. He wrote down and
with notes on how to cast it, and it would weighillustrated his own theories on the flight of birds
80 tons once complete! Leonardo made the clayand was inspired to make several sketches of
model to scale, but the bronze horse was not tomechanical flying machines. He wrote a treatise
be. In 1499, the French army threatened ancalled Codex on The Flight of Birds in which he
attack. The metal intended for the Sforza Horsemade diagrams of a helical wing, beating wings, a
would be needed to make canons. Leonardo leftparachute, and bat wings. Later he realized the
Milan before the French Army marched on theproblems with human-powered propulsion and
city. Seeing the massive clay horse, the Frenchbegan making notes and diagrams of gliders. He
soldiers could not resist using it for targetalso designed a machine based on a helical screw
practice.Thereafter it was reduced to rubble.that was 32 or 33 feet in diameter.(2) It was
Leonardo became despondent and at the samesupposed to lift off and fly as the blade rotated,
time, vowed to one day see his horse completelyresembling a modern-day helicopter.
built.Leonardo's passionate interest in studying animals
Much has been written throughout history aboutwas unique for his time. He studied and observed
the "Horse that Never Was". Five hundred yearsanimals, and sketched and painted them with
after the destruction of the clay model, based ongrace and realism. Other Renaissance artists like
the notes and sketches of Leonardo, the 24-footMichelangelo (1475-1564) and Raphael (1483-1520),
bronze horse was cast. In fact, two full-scalewho focused more on the humanity and divinity in
statues were completed. One stands in Michigan,art, did not include animals in their works to the
while the other was given as a gift to the City ofextent as Leonardo did.(3) Without neglecting the
Milan. United Airline Pilot Charles Dent made itDivine in Humanity, Leonardo above all other
happen. Upon seeing the original sketches that hadRenaissance artists, elevated all of nature and
been rediscovered in Spain, he started themade it part of the Divine.