| Heidelberg School - The Concept | | | | The students were very heavily devoted towards |
| The Heidelberg School of Painting was the first | | | | Landscape Art. They were interested in producing |
| major artistic movement in Australia dominant | | | | Contemporary Impressionism to more accurately |
| during the late nineteenth to early twentieth | | | | demonstrate the Australian environment than that |
| century. Impressionist in style, the genre made a | | | | done in the previous works through the Australian |
| remarkable impact on the overall Australian Art | | | | history. The artists were intrigued with the |
| history, landscape & countryside painting in | | | | spontaneous lighting effects, resulting in their |
| particular. | | | | experimentation with different brushstroke styles |
| The History | | | | and techniques. |
| The Heidelberg School originated in July 1891, with | | | | The Artists |
| the art critic Sidney Dickinson's (US, 1890-1980) | | | | The Heidelberg School included artists Arthur |
| review of the works by Arthur Streeton | | | | Streeton (1867-1943), Tom Roberts (1856-1931), |
| (Australian, 1867-1943) and Walter Withers | | | | Frederick McCubbin (1855-1917), Walter Withers |
| (Australian, 1854-1914). Sidney observed that the | | | | (1854-1914), Jane Sutherland (1853-1928), Clara |
| artists painting in the Heidelberg area were inspired | | | | Southern (1861-1940), Aby Altson (1864-1949), |
| by its landscapes and the impact of natural light | | | | Charles Douglas Richardson (1853-1942), Artu |
| on them. Since then, The Heidelberg School implied | | | | Loureiro (1853-1932), and Charles Conder |
| the Australian artists of the late nineteenth | | | | (1868-1909). |
| century, painting in the Impressionist Plein-Air style. | | | | The Artworks |
| Apart from their grandeur as compositions, these | | | | 'Macedon Ranges' (1874) by Louis Buvelot; 'The |
| works form an integral part of Australia's creative | | | | Letter' (1884) & 'Pioneer' (1904) by Frederick |
| record. The Heidelberg School began to slowly | | | | McCubbin; 'A Quiet Day on Darebin Creek' (1885) |
| dissolve in the 1890s. | | | | by Tom Roberts; 'A Holiday at Mentone' (1888) |
| The Details | | | | by Charles Conder; 'Shearing the Rams' (1888-90) |
| The Heidelberg School introduced French | | | | by Tom Roberts; 'Golden Summer, Eaglemont' |
| Impressionist Plein-Airism to Australia. The | | | | (1889) by Arthur Streeton; 'The Storm' (1896) by |
| paintings of this School initially honored the | | | | Walter Withers; and 'An Old Bee Farm' (1900) by |
| Australian landscapes. The students would stay | | | | Clara Southern, are some of the competent |
| together in the summer months in Heidelberg, to | | | | pieces of The Heidelberg School. Several artworks |
| paint. Based on European art fundamentals, these | | | | are also displayed at the National Gallery of |
| Plein Air paintings portrayed the colorful Australian | | | | Victoria, Melbourne, the National Gallery of |
| landscapes. Right from domestic themes to urban | | | | Australia, Parkes, Australian Capital Territory, and |
| arrangements, the Heidelberg artists painted all. | | | | the Ballart Fine Art Gallery, Ballart. |