Western Painting - Lowbrow - An American Art Movement

Lowbrow - The Conceptthan the cultural aristocrats. It rejected the
Lowbrow, also referred as Pop Surrealism,distinction between the commercial and the Fine
originated from different underground or populistArt. In fact, it could be considered similar to Folk
art forms, such as tattoos, comic, street culture,Art, where artists had actual talent, skill, and
punk music, and other California subcultures. Atraining. Lowbrow had a high influence of Pop
significant part of contribution in Lowbrow was inculture. It picked up local Visual Art flavors,
form of paintings, while its other formats beingwherever it established itself. Lowbrow also
toys, digital art, and sculpture.displayed a spectrum of expressions, from
The Historystrongly humorous to the gruesome ones.
Lowbrow started in Los Angeles, California, as anThe Controversies
underground Visual Art movement in the lateThe term "Lowbrow Art," generated as a critique
1970s. Underground artists Robert Williams (bornto the Highbrow culture, was in some part a
1943) and Gary Panter (born 1950) are creditedcreative inspiration. There are doubts however,
as its pioneers. Initially, lesser-known galleries inabout considering giving it a 'legitimate' movement
Los Angeles and New York would organize thestatus, as the artists involved, initially worked in
Lowbrow shows. Soon many artists adopted thisfields that are not considered as Fine Art, such as
form of art. A steady growth helped propagatecomics and tattooing. Museums, art critics, and
the number of the galleries showing this art form.galleries have been quite uncertain about it.
Julie Rico Gallery and the Bess Cutler Gallery wereArt experts, including schools, curators, and critics,
the two main galleries, which exhibited importanthave concerns about the different aspects of
artists' works and contributed towards expandingLowbrow Art, as it adopts a figurative focus,
and developing Lowbrow. Robert Williams publishedcultivates narration, and strongly values technical
the first Lowbrow magazine Juxtapoz, in 1994,skills. The veterans always deeply criticized these
which became the guideline for the associatedfundamentals throughout the 1980s and 90s. With
artists, thereby helping in its evolution and widerthe development of Lowbrow however, many
spread.artists have gone on to show their work mostly
The Essencein mainstream Fine Art Galleries.
The art movement gave space to artists other