| Some while ago I wrote an article that attempted | | | | News, The National Geographic Network, Animal |
| to explain why I hate modern art. | | | | Planet, The New York Post, The Washington |
| The thrust of my article was that modern art | | | | Times, Esquire Magazine, and many others |
| appreciation has shifted the emphasis from the | | | | worldwide. Time Out New York described it as |
| finished artwork to the act of creation itself. | | | | “a masterpiece of conceptualism.” |
| Consequentially, a splattered mess of paint can be | | | | Jane Hart, curator of the Hollywood Art and |
| considered great art if it has a provenance to | | | | Culture Centre is quoted as saying, “if you put |
| explain its purpose and meaning. | | | | her work before someone without telling them |
| To take an example, the first and possibly most | | | | that a dog did it, they wouldn’t be able to tell |
| famous piece of conceptual art was Marcel | | | | it apart from a human artist’s”. The |
| Duchamp’s “Fountain”. Fountain was a | | | | remark appears to be an indication of how |
| signed urinal, purchased, not made by the artist. | | | | “good” Tillie’s painting is! |
| Duchamp claimed it to be a work of art because; | | | | So I know its all a bit of a joke, but there is a |
| he chose the item, he gave it a name, placed it in | | | | serious side to the story. |
| a different context, and so created a new | | | | In 2006, media mogul David Geffen sold Jackson |
| thought for that object. | | | | Pollock’s “No. 5 1948”, for $140 million. |
| The Times newspaper recently ran a story on | | | | This made Pollock’s work the most |
| “Tillie”, the ten-year-old Jack Russell terrier | | | | expensive painting in modern history. |
| who paints (it also ran an item on a tree that | | | | Given the comparisons between Tillie’s and |
| draws, but let’s not go there). Tillie was | | | | Jackson Pollock’s outputs, it’s no surprise |
| reported to have notched up her 20th solo | | | | that society can willingly accept the scratchings of |
| exhibition, earned more than $100,000 from sales | | | | a dog as meritorious art! |
| of her work, visited five countries and drawn | | | | We have been taught not to question the merit |
| comparisons with the abstract expressionist | | | | of art: if someone tells us something is art (e.g. |
| Jackson Pollock. Her “artworks” sell for | | | | puts it in a gallery), we believe that to be true. |
| between $100 and $2,000. | | | | We are afraid to express an opinion for fear of |
| The Hollywood Art and Culture Centre in | | | | ridicule. And yet, it would be perfectly reasonable |
| Hollywood, Florida, is the latest gallery to put the | | | | to look at “No. 5”, and remark that it |
| dog’s output on show, with an exhibition | | | | looked like a dog had made it. |
| entitled “The Tillamook Cheddar Mid-Career | | | | Tillie is doing what dogs do. She is scratching and |
| Retrospective, 1999-2009”. | | | | biting. She is not composing, conceptualising, or |
| Tillie “works” by scratching and biting at | | | | expressing herself. It is utter madness to portray |
| overturned painted vellum; the pressure of her | | | | the outcome of her clawing at paint and paper as |
| claws, paws and teeth transferring the coloured | | | | art. Placing value on a similar painting produced by |
| pigment on to paper below. | | | | a human is insanity. The only genius at work here |
| Her “art” has been featured by CBS | | | | is the seller’s – not the artist’s. |
| News, Good Morning America, Inside Edition, Fox | | | | |