Review: Chewy is Chewy Good

Funk and jazz. Smoothed out but meaty, pungentgroove. Their obvious knowledge and the way
beats made from an organ, Fender Rhodes piano,they control the musical elements of their various
bass, and fat back drums. A woman's soulfulinfluences - the harmonies, rhythmic feel,
voice; doin' it like Tina Turner said back in the dayappropriate use of chops - takes them beyond
when she and Ike took the gentle, country, rockmere homage to a unique sound.
song "Proud Mary" and dowsed it with grease and"New Train" is an upbeat song that leans to the
lit it on fire: nice and easy then nice and rough.easy going, California, soul side of the funk. The
Yeah, we've been hearing this sound from Chakaintertwining piano, organ and guitar licks are the
Khan, representing the funky soul side of thetemplate for most of the record. Spencer waits
sound to Norman Connors and vocalist Jean Carnto the end of the song to wail a solo, taking the
playing their unique brand of multi-cultural,song to another level.
freedom jazz. For those opening your ears forIt is on the song "Getting Nowhere," however -
the first time in the 1990's, there was the Brandthe halfway point of the album - where things get
New Heavies, whose live action British-born acidinteresting. Luiz' lyrics capture, in the timeless,
jazz (the funk breaks from '60's and '70's artistsclassy manner of soul storytellers like Smokey
like Horace Silver, drummer Idris Muhammad, andRobinson, the complexities of keeping relationships
electric saxophonist Eddie Harris) injected a hipalive. The intro to the song is a series of tight
hop flava, which was the main seasoning on theunison stop hits by the band, while she sets up
neo funk and soul souffle of that time.the story of the song: "Need help understanding
Add to this tradition the band Chewy. Bandthis problem with some friends of mine / ... they
co-founders Lorrie Ruiz and Joe Doria havewonder if / The other one's still in love." The
created a tight musical unit and a satisfyingmusic switches gears at a key emotional point -
record. Ms. Ruiz' voice is authentically soulful and"Where? They're gonna get there" - with a blast
Doria's Hammond Organ and Fender Rhodesof electric space jazz, courtesy of Doria's
electric piano captures the sound and feeling ofkeyboards and Spenser's noise guitar. The funk
the McCann, Joe Zawinul (yeah, he played insnaps back in and rides out the song to its
Weather Report but check out his song "Countrybittersweet conclusion. Lyrical content this
Preacher" with Cannonball Adderly for thesophisticated is the biggest surprise.
essence of soulful piano) and other keyboardistsThis creative mix of lyrics and music that
from back in the day. And when he isn't playingsupports and enhances the emotions of the songs
airtight, scratchy, wah wah, rhythm riffs or airy,is evident throughout the record. On the
jazz chord voicing, Chris Spencer adds sizzlingotherwise straightforward smooth-groovin' "Don't
rock guitar leads to the mix. Anchored by aWanna Let You See" the last upbeat line, "Maybe
rhythm section of bassist Dayna Smith and Larryyou and I could fall in love / Daydream," the beat
Bichler on drums, this band creates tasty tracksswitches to a light Brazilian bossa nova, the
that lean heavily on jazzy, funk without allessence of romance. On "Your Love Changes
sounding the same.Me," after a somber intro, the song kicks into an
They are true to the music and keep it real. Theupbeat jazzy soul groove (think Stevie Wonder's
authenticity of their approach is found in their"Jesus Children") while she sings: "Nothing changes,
taste and restraint; particularly in Ruiz' singing.nothing ever stays the same / Til I met you and
Even Christina Aguilera and Sharon Jones, two ofthe world began to change / ... In each day I see
the best soul/R&B vocalists out there, sometimesa brand new thing that your love takes ... Your
go too far into the land of vocal gymnastics.love changes me." Where upon the music breaks
Chewy also differentiates itself from most groupsdown to a slow, strident groove with gospel style
with its smart arrangements, melodies andvoices and organ. Clearly this is the song's
hook-you riffs. Their groove can veer into aepiphany. Then it kicks into the up tempo groove
swing feel or Latin. This Seattle band nods itson the chorus, where Doria plays yet another
head to late '70's Steely Dan's jazz-informed, popsoulful keyboard solo.
sensibility and Oakland's Tower of Power in their