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Review: Chewy is Chewy Good

Funk and jazz. Smoothed out but meaty, Oakland's Tower of Power in their groove.
pungent beats made from an organ, Fender Their obvious knowledge and the way they
Rhodes piano, bass, and fat back drums. A control the musical elements of their
woman's soulful voice; doin' it like Tina various influences - the harmonies,
Turner said back in the day when she and rhythmic feel, appropriate use of chops -
Ike took the gentle, country, rock song takes them beyond mere homage to a unique
"Proud Mary" and dowsed it with grease and sound.
lit it on fire: nice and easy then nice "New Train" is an upbeat song that leans
and rough. Yeah, we've been hearing this to the easy going, California, soul side
sound from Chaka Khan, representing the of the funk. The intertwining piano, organ
funky soul side of the sound to Norman and guitar licks are the template for most
Connors and vocalist Jean Carn playing of the record. Spencer waits to the end of
their unique brand of multi-cultural, the song to wail a solo, taking the song
freedom jazz. For those opening your ears to another level.
for the first time in the 1990's, there It is on the song "Getting Nowhere,"
was the Brand New Heavies, whose live however - the halfway point of the album -
action British-born acid jazz (the funk where things get interesting. Luiz' lyrics
breaks from '60's and '70's artists like capture, in the timeless, classy manner of
Horace Silver, drummer Idris Muhammad, and soul storytellers like Smokey Robinson,
electric saxophonist Eddie Harris) the complexities of keeping relationships
injected a hip hop flava, which was the alive. The intro to the song is a series
main seasoning on the neo funk and soul of tight unison stop hits by the band,
souffle of that time. while she sets up the story of the song:
Add to this tradition the band Chewy. Band "Need help understanding this problem with
co-founders Lorrie Ruiz and Joe Doria have some friends of mine / ... they wonder if
created a tight musical unit and a The other one's still in love." The music
satisfying record. Ms. Ruiz' voice is switches gears at a key emotional point -
authentically soulful and Doria's Hammond "Where? They're gonna get there" - with a
Organ and Fender Rhodes electric piano blast of electric space jazz, courtesy of
captures the sound and feeling of the Doria's keyboards and Spenser's noise
McCann, Joe Zawinul (yeah, he played in guitar. The funk snaps back in and rides
Weather Report but check out his song out the song to its bittersweet
"Country Preacher" with Cannonball Adderly conclusion. Lyrical content this
for the essence of soulful piano) and sophisticated is the biggest surprise.
other keyboardists from back in the day. This creative mix of lyrics and music that
And when he isn't playing airtight, supports and enhances the emotions of the
scratchy, wah wah, rhythm riffs or airy, songs is evident throughout the record. On
jazz chord voicing, Chris Spencer adds the otherwise straightforward
sizzling rock guitar leads to the mix. smooth-groovin' "Don't Wanna Let You See"
Anchored by a rhythm section of bassist the last upbeat line, "Maybe you and I
Dayna Smith and Larry Bichler on drums, could fall in love / Daydream," the beat
this band creates tasty tracks that lean switches to a light Brazilian bossa nova,
heavily on jazzy, funk without all the essence of romance. On "Your Love
sounding the same. Changes Me," after a somber intro, the
They are true to the music and keep it song kicks into an upbeat jazzy soul
real. The authenticity of their approach groove (think Stevie Wonder's "Jesus
is found in their taste and restraint; Children") while she sings: "Nothing
particularly in Ruiz' singing. Even changes, nothing ever stays the same / Til
Christina Aguilera and Sharon Jones, two I met you and the world began to change /
of the best soul/R&B vocalists out there, ... In each day I see / a brand new thing
sometimes go too far into the land of that your love takes ... Your love changes
vocal gymnastics. Chewy also me." Where upon the music breaks down to a
differentiates itself from most groups slow, strident groove with gospel style
with its smart arrangements, melodies and voices and organ. Clearly this is the
hook-you riffs. Their groove can veer into song's epiphany. Then it kicks into the up
a swing feel or Latin. This Seattle band tempo groove on the chorus, where Doria
nods its head to late '70's Steely Dan's plays yet another soulful keyboard solo.
jazz-informed, pop sensibility and




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