The History of Oriental Pottery-Making in China

Almost every nation has different beginning ofmost beautiful of western pottery look shabby
ceramic as per their culture and tradition. It hasby comparison. European ceramists regarded the
been given a new shapes and design base onChinese and later, Japanese wares with awe and
their customs and culture. The following article willenvy. Ambitious efforts were made to imitate the
make you know how ceramic got its new shapeimported porcelain, which was in heavy demand
in the hand of Chinese.among wealthy collectors. When Italian potters
The history of Oriental pottery-making, for thetook to coating their earthenware with white
most part, is much like that of the rest of theenamel, which gave a superficial porcelain look, it
world. Improvements were made gradually overwas only the first of a long list of dismal failures.
thousands of years, although the Japanese andThe problem soon attracted the attention of
Chinese apparently got a head-start in the field.Italian majolists and alchemists. The first
As early as 3000 B.C., Chinese ceramists werereasonable imitation of porcelain was made at
shaping some of the most artistic pottery in theFlorence in 1585 by a team of alchemists and
annals of man, Europe at this date was still thepotters working under the patronage of
home of roving bands of barbarians, who knewFrancesco de Medici.
little more about making pottery than their earliestThis Florentine "porcelain" was the forerunner of
forebears.many European wares made in avowed imitation
Probably the most august age of Chineseof true Oriental porcelain. They form a link
ceramics was during the Sung Dynasty, whichbetween pottery and glass, for they may be
lasted from 960-1279 A.D. It was in this periodconsidered either as pottery rendered translucent
that porcelain was first developed. The earliestor as glass rendered opaque by shaping and firing
known examples of porcelain are of the yinga mixture containing a large percentage of glass
Ch'ing type a soft-looking, bubbly glaze, white inwith small amounts of clay.
color but with a faint tinge of iridescent green orBut the search for the secret of true porcelain
blue.manufacture was excitedly continued by European
Chinese artisans jealously guarded their individualceramists for generations. The imitations ran the
techniques for producing porcelain. The clay had togamut of invention and ingenuity. By the mid-17th
be properly aged, in many cases for centuries.century, the research was considered so
Succeeding generations of potters inherited theimportant that the experimenters, backed by
family's supply of clay, which was buried in thesuch patrons as the Elector of Saxony and
ground to be dug up more than 100 years laterMadame de Pompadour, were more interested in
by a potter's son or grandson.solving the riddle of porcelain than they were in
When Oriental porcelain was introduced intothe transmutation of base metals into gold.
Europe in the 15th century, it made even the