| A genre in which description and dialogue are lean, | | | | 'Revisionist' is a term used in genre studies to |
| and the landscape spectacular, is well suited to | | | | describe films that change traditional elements of |
| film. Early Westerns were mostly filmed in the | | | | a genre. |
| studio like other early Hollywood movies, but | | | | After the early 1960s, many American |
| when location shooting became more common, | | | | film-makers began to question and change many |
| producers of Westerns used desolate corners of | | | | traditional elements of westerns. One major |
| New Mexico, California, Arizona, Utah, Nevada, | | | | change was in the increasingly positive |
| Kansas, Texas, Colorado or Wyoming, often | | | | representation of Native Americans who had been |
| making the landscape not just a vivid backdrop, | | | | treated as "savages" in earlier films. Audiences |
| but a character in the movie. Productions were | | | | began to question the simple hero-versus-villain |
| also filmed on location at movie ranches. | | | | dualism and the morality of using violence to test |
| The Western genre itself has sub-genres, such as | | | | one's character or to prove oneself right. Some |
| the epic Western, the shoot 'em up, singing | | | | recent Westerns give women more powerful |
| cowboy Westerns, and a few comedy westerns. | | | | roles. |
| The Western re-invented itself in the revisionist | | | | Contemporary Westerns |
| Western. | | | | Contemporary Westerns, as the name implies, |
| Cowboys and gunslingers play prominent roles in | | | | are films that have contemporary American |
| Western movies. Often fights with Native | | | | settings but nevertheless utilise Old West themes |
| Americans are depicted. In early Westerns, the | | | | and motifs (a rebellious antihero, open plains and |
| "Injuns" are frequently portrayed as dishonorable | | | | landscapes, climactic gunfights, etc.). For the most |
| villains; however, many "revisionist" Westerns give | | | | part, they still take place in the American West |
| the natives more sympathetic treatment. Other | | | | and reveal the progression of the Old West |
| recurring themes of westerns include western | | | | mentality into the late twentieth century. |
| treks and groups of bandits terrorising small | | | | Examples include Sam Peckinpah's Bring Me the |
| towns such as in The Magnificent Seven. | | | | Head of Alfredo Garcia (1974), John Sayles' Lone |
| The Classical Western film | | | | Star (1996), Jim Jarmusch's Dead Man (1996), |
| The western film traces its roots back to 1903's | | | | Michael Winterbottom's The Claim (2000), Robert |
| The Great Train Robbery, a silent film directed by | | | | RodrÃguez's Once Upon a Time in Mexico |
| Edwin S. Porter and starring Broncho Billy | | | | (2003), Tommy Lee Jones' The Three Burials of |
| Anderson. The film's popularity opened the door | | | | Melquiades Estrada (2005), Ang Lee's Brokeback |
| for Anderson to become the screen's first | | | | Mountain (2005) and Wim Wenders' Don't Come |
| cowboy star, making several hundred Western | | | | Knocking (2005). |
| movie shorts. So popular was the genre that he | | | | Genre studies and Westerns |
| soon had competition in the form of William S. | | | | In the 1960s academic and critical attention to |
| Hart. | | | | cinema as a legitimate art form emerged. With |
| In the United States, the western has had an | | | | the increased attention, film theory was |
| extremely rich history that spans many genres | | | | developed to attempt to understand the |
| (comedy, drama, tragedy, parody, musical, | | | | significance of film. From this environment |
| science fiction, etc.). The golden age of the | | | | emerged (in conjunction with the literary |
| western film is epitomised by the work of two | | | | movement) an enclave of critical studies called |
| directors: John Ford (who often used John Wayne | | | | genre studies. This was primarily a semantic and |
| for lead roles) and Howard Hawks. | | | | structuralist approach to understanding how similar |
| Spaghetti Westerns | | | | films convey meaning. Long derided for its |
| During the 1960s and 1970s, a revival of the | | | | simplistic morality, the western film genre came |
| Western emerged in Italy with the "Spaghetti | | | | to be seen instead as a series of conventions and |
| Westerns" or "Italo-Westerns". Many of these | | | | codes that acted as a short-hand communication |
| films are low-budget affairs, shot in locations (for | | | | methods with the audience. For example, a white |
| example, the Spanish desert region of | | | | hat represents the good guy, a black hat |
| AlmerÃa) chosen for their inexpensive crew | | | | represents the bad guy; two people facing each |
| and production costs as well as their similarity to | | | | other on a deserted street leads to the |
| landscapes of the Southwestern United States. | | | | expectation of a showdown; cattlemen are loners, |
| Spaghetti Westerns were characterised by the | | | | townsfolk are family and community minded, etc. |
| presence of more action and violence than the | | | | All western films can be read as a series of codes |
| Hollywood westerns. | | | | and the variations on those codes. |
| But the best of the genre, notably the films | | | | Since the 1970s, the western genre has been |
| directed by Sergio Leone, have a parodic | | | | unraveled through a series of films that used the |
| dimension (the strange opening scene of Once | | | | codes but primarily as a way of undermining them |
| Upon a Time in the West being a reversal of Fred | | | | (Little Big Man and Maverick did this through |
| Zinnemann's High Noon opening scene) which gave | | | | comedy). Kevin Costner's Dances with Wolves |
| them a different tone to the Hollywood westerns. | | | | actually resurrects all the original codes and |
| Charles Bronson, Lee van Cleef and Clint | | | | conventions but "reverses the polarities" (the |
| Eastwood became famous by starring in | | | | Native Americans are good, the U.S. Cavalry is |
| Spaghetti Westerns, although they were also to | | | | bad). Clint Eastwood's Unforgiven uses every one |
| provide a showcase for other noted actors such | | | | of the original conventions, only reverses the |
| as Jason Robards, James Coburn, Klaus Kinski and | | | | outcomes (instead of dying bravely or stoically, |
| Henry Fonda. | | | | characters whine, cry, and beg; instead of a good |
| Ostern | | | | guy saving the day, irredeemable characters |
| Westerns from the United States were popular in | | | | execute revenge; etc.). |
| Communist countries, and were a particular | | | | One of the results of genre studies is that some |
| favorite of Joseph Stalin. An entire genre of "Red | | | | have argued that "Westerns" need not take place |
| Western" or "Ostern" films developed in Eastern | | | | in the American West or even in the 19th |
| Europe. These films usually portrayed the | | | | Century, as the codes can be found in other |
| American Indians sympathetically, as oppressed | | | | types of movies. For example, a very typical |
| people fighting for their rights, in contrast to | | | | Western plot is that an eastern lawman heads |
| American westerns of the time, which frequently | | | | west, where he matches wits and trades bullets |
| portrayed the Indians as villains. They frequently | | | | with a gang of outlaws and thugs, and is aided by |
| featured Yugoslavians or Turkic people in the role | | | | a local lawman who is well-meaning but largely |
| of the Indians, due to the shortage of authentic | | | | ineffective until a critical moment when he |
| Indians in Eastern Europe. | | | | redeems himself by saving the hero's life. This |
| Gojko Mitić is famous for his portrayals of | | | | description can be used to describe any number |
| righteous, kindhearted and charming Indian chiefs | | | | of Westerns, as well as the action film Die Hard. |
| ("Die Söhne der großen Bärin" | | | | Hud, starring Paul Newman, and Akira Kurosawa's |
| directed by Josef Mach). He became honorary | | | | Seven Samurai, are other frequently cited |
| chief of the tribe of Sioux when he visited the | | | | examples of movies that don't take place in the |
| United States of America in the 90s and the | | | | American West but have many themes and |
| television crew accompanying him showed the | | | | characteristics common to Westerns. Likewise, it |
| tribe one his movies. American actor and singer | | | | has been pointed out that films set in the old |
| Dean Reed, an expatriate who lived in East | | | | American West may not necessarily be |
| Germany, also starred in several films. | | | | considered "Westerns." |
| Revisionist Westerns | | | | |