Types of Western movies

A genre in which description and dialogue are lean,'Revisionist' is a term used in genre studies to
and the landscape spectacular, is well suited todescribe films that change traditional elements of
film. Early Westerns were mostly filmed in thea genre.
studio like other early Hollywood movies, butAfter the early 1960s, many American
when location shooting became more common,film-makers began to question and change many
producers of Westerns used desolate corners oftraditional elements of westerns. One major
New Mexico, California, Arizona, Utah, Nevada,change was in the increasingly positive
Kansas, Texas, Colorado or Wyoming, oftenrepresentation of Native Americans who had been
making the landscape not just a vivid backdrop,treated as "savages" in earlier films. Audiences
but a character in the movie. Productions werebegan to question the simple hero-versus-villain
also filmed on location at movie ranches.dualism and the morality of using violence to test
The Western genre itself has sub-genres, such asone's character or to prove oneself right. Some
the epic Western, the shoot 'em up, singingrecent Westerns give women more powerful
cowboy Westerns, and a few comedy westerns.roles.
The Western re-invented itself in the revisionistContemporary Westerns
Western.Contemporary Westerns, as the name implies,
Cowboys and gunslingers play prominent roles inare films that have contemporary American
Western movies. Often fights with Nativesettings but nevertheless utilise Old West themes
Americans are depicted. In early Westerns, theand motifs (a rebellious antihero, open plains and
"Injuns" are frequently portrayed as dishonorablelandscapes, climactic gunfights, etc.). For the most
villains; however, many "revisionist" Westerns givepart, they still take place in the American West
the natives more sympathetic treatment. Otherand reveal the progression of the Old West
recurring themes of westerns include westernmentality into the late twentieth century.
treks and groups of bandits terrorising smallExamples include Sam Peckinpah's Bring Me the
towns such as in The Magnificent Seven.Head of Alfredo Garcia (1974), John Sayles' Lone
The Classical Western filmStar (1996), Jim Jarmusch's Dead Man (1996),
The western film traces its roots back to 1903'sMichael Winterbottom's The Claim (2000), Robert
The Great Train Robbery, a silent film directed byRodríguez's Once Upon a Time in Mexico
Edwin S. Porter and starring Broncho Billy(2003), Tommy Lee Jones' The Three Burials of
Anderson. The film's popularity opened the doorMelquiades Estrada (2005), Ang Lee's Brokeback
for Anderson to become the screen's firstMountain (2005) and Wim Wenders' Don't Come
cowboy star, making several hundred WesternKnocking (2005).
movie shorts. So popular was the genre that heGenre studies and Westerns
soon had competition in the form of William S.In the 1960s academic and critical attention to
Hart.cinema as a legitimate art form emerged. With
In the United States, the western has had anthe increased attention, film theory was
extremely rich history that spans many genresdeveloped to attempt to understand the
(comedy, drama, tragedy, parody, musical,significance of film. From this environment
science fiction, etc.). The golden age of theemerged (in conjunction with the literary
western film is epitomised by the work of twomovement) an enclave of critical studies called
directors: John Ford (who often used John Waynegenre studies. This was primarily a semantic and
for lead roles) and Howard Hawks.structuralist approach to understanding how similar
Spaghetti Westernsfilms convey meaning. Long derided for its
During the 1960s and 1970s, a revival of thesimplistic morality, the western film genre came
Western emerged in Italy with the "Spaghettito be seen instead as a series of conventions and
Westerns" or "Italo-Westerns". Many of thesecodes that acted as a short-hand communication
films are low-budget affairs, shot in locations (formethods with the audience. For example, a white
example, the Spanish desert region ofhat represents the good guy, a black hat
Almería) chosen for their inexpensive crewrepresents the bad guy; two people facing each
and production costs as well as their similarity toother on a deserted street leads to the
landscapes of the Southwestern United States.expectation of a showdown; cattlemen are loners,
Spaghetti Westerns were characterised by thetownsfolk are family and community minded, etc.
presence of more action and violence than theAll western films can be read as a series of codes
Hollywood westerns.and the variations on those codes.
But the best of the genre, notably the filmsSince the 1970s, the western genre has been
directed by Sergio Leone, have a parodicunraveled through a series of films that used the
dimension (the strange opening scene of Oncecodes but primarily as a way of undermining them
Upon a Time in the West being a reversal of Fred(Little Big Man and Maverick did this through
Zinnemann's High Noon opening scene) which gavecomedy). Kevin Costner's Dances with Wolves
them a different tone to the Hollywood westerns.actually resurrects all the original codes and
Charles Bronson, Lee van Cleef and Clintconventions but "reverses the polarities" (the
Eastwood became famous by starring inNative Americans are good, the U.S. Cavalry is
Spaghetti Westerns, although they were also tobad). Clint Eastwood's Unforgiven uses every one
provide a showcase for other noted actors suchof the original conventions, only reverses the
as Jason Robards, James Coburn, Klaus Kinski andoutcomes (instead of dying bravely or stoically,
Henry Fonda.characters whine, cry, and beg; instead of a good
Osternguy saving the day, irredeemable characters
Westerns from the United States were popular inexecute revenge; etc.).
Communist countries, and were a particularOne of the results of genre studies is that some
favorite of Joseph Stalin. An entire genre of "Redhave argued that "Westerns" need not take place
Western" or "Ostern" films developed in Easternin the American West or even in the 19th
Europe. These films usually portrayed theCentury, as the codes can be found in other
American Indians sympathetically, as oppressedtypes of movies. For example, a very typical
people fighting for their rights, in contrast toWestern plot is that an eastern lawman heads
American westerns of the time, which frequentlywest, where he matches wits and trades bullets
portrayed the Indians as villains. They frequentlywith a gang of outlaws and thugs, and is aided by
featured Yugoslavians or Turkic people in the rolea local lawman who is well-meaning but largely
of the Indians, due to the shortage of authenticineffective until a critical moment when he
Indians in Eastern Europe.redeems himself by saving the hero's life. This
Gojko Mitić is famous for his portrayals ofdescription can be used to describe any number
righteous, kindhearted and charming Indian chiefsof Westerns, as well as the action film Die Hard.
("Die Söhne der großen Bärin"Hud, starring Paul Newman, and Akira Kurosawa's
directed by Josef Mach). He became honorarySeven Samurai, are other frequently cited
chief of the tribe of Sioux when he visited theexamples of movies that don't take place in the
United States of America in the 90s and theAmerican West but have many themes and
television crew accompanying him showed thecharacteristics common to Westerns. Likewise, it
tribe one his movies. American actor and singerhas been pointed out that films set in the old
Dean Reed, an expatriate who lived in EastAmerican West may not necessarily be
Germany, also starred in several films.considered "Westerns."
Revisionist Westerns