| Feng Zhengjie was born on 1968 in Sichuan | | | | Sichuan. Critics are unanimous in placing Feng's |
| Province, China he lives and works in Beijing, China. | | | | paintings in the realm of the critique of |
| When Zeng Fanzhi was at school (1987-91), he | | | | contemporary consumer society; this was |
| particularly liked the work of the German | | | | especially clear in the "Romantic Trip" series, which |
| Expressionist painters. In the third year of his | | | | pictured young couples in the expensive wedding |
| studies, he put Soviet Realism aside and began to | | | | ceremonies now fashionable amongst certain |
| explore expressionistic approaches to painting. His | | | | sections of Chinese society. |
| works of this period have further echoes of | | | | EXHIBITIONS- |
| another of his favorite artists, Beckman, but | | | | 2004 |
| when it came to creating work for his degree | | | | • Kitsch as A Face of Chinese Society, |
| show, the Xiehe series, Zeng Fanzhi had already | | | | Vanessa Art House, Jakarta, Indonesia |
| established his own style and the impact of the | | | | • Soobin Art Gallery, Singapore the |
| work had won him a strong reputation in Chinese | | | | Beautiful Poison, Suka Art Space, Korea |
| art circles... | | | | 2003 |
| Feng Zhengjie paints striking contemporary | | | | • Regards vers l'Est, Regards vers l"oust, |
| women. With their colored hair, richly hued clothes | | | | Albert Benamou Gallery, Paris, France |
| and luscious, expressive lips, the women appear | | | | 2002 |
| irresistibly dazzling. And yet, the wandering | | | | • Paintings of Feng Zhengjie, M.K. |
| expressions in their eyes render them elusive and | | | | Ciurlionis National Museum of Art, Kaunas, Lithuania |
| enigmatic. | | | | Packaging, Xin Dong CHENG's Space for |
| These strange, unknowable eyes have become | | | | International Contemporary Art, Beijing, China |
| Feng's signature style. Feng studied to MA level at | | | | 2001 |
| the Fine Art education department of the Sichuan | | | | • Coolness, Common Ground Art Gallery, |
| Academy of Fine Art between 1988 and 1995. | | | | Windsor, Canada |
| After 1989, Feng rejected both socialist realism | | | | 1996 |
| and Western academic art, turning instead to the | | | | • Recounting of Skin, Art Museum of |
| questions raised by China's emerging | | | | Capital Normal University, Beijing, China |
| contemporary art scene. He developed a more | | | | Conclusions: |
| critical outlook with regards to society. | | | | Feng Zhengjie had already established his own |
| In response to the new issues confronting China, | | | | style and the impact of the work had won him a |
| Feng Zhengjie decided to take inspiration from the | | | | strong reputation in Chinese art circles. |
| popular images he had grown up with in rural | | | | What to Do Next... |