| Because of different instruments,
| |
| | forms he finds in nature, such as ovals,
|
| materials and cultural background, Chinese
| |
| | circles, and geometric lines which are
|
| paintings have their own image and content
| |
| | found also found in Chinese calligraphy.
|
| in comparison to other types of paintings.
| |
| | Thus, all Chinese paintings whether they
|
| Unique appearance of Chinese Painting owes
| |
| | are landscapes or the human figure are
|
| much to the use of the Chinese writing
| |
| | painted with the same movement, rhythm,
|
| brush and the Chinese paper (rice and
| |
| | and harmony that is used when drawing the
|
| silk). There are four essential elements
| |
| | forms of calligraphy. Calligraphy is a
|
| used in the creation of Chinese Painting,
| |
| | form of art, even more revered and honored
|
| the brush, ink, paper, and the ink stone.
| |
| | than all other painting.
|
| Lacking any of them the job cannot be
| |
| | In the same theme they may spend hours
|
| done.
| |
| | contemplating and drawing inspiration from
|
| The most important factors for Chinese
| |
| | the figures of nature such as humming
|
| Painting are the special pedagogy, the
| |
| | birds with their fragile wings, the robust
|
| close relationship with the painter's
| |
| | legs of the cricket, and the fascinating
|
| personality and the unique Chinese
| |
| | form of the praying mantis. From the minor
|
| philosophy. They are trained not only to
| |
| | or simple creatures that are chosen as
|
| convey the objects but also express the
| |
| | subjects of art work, we can see how they
|
| mood and the spirit of the subject. The
| |
| | enjoy the nature and the love they devote
|
| Chinese also believe that the painting is
| |
| | to the most humble things.
|
| the expression of the painter's knowledge
| |
| | The Chinese painter finds it offensive to
|
| and temperament. In this way, Chinese
| |
| | contemplate and draw the human figure by
|
| Painting becomes something much more than
| |
| | itself. Human beings are part of the
|
| art.
| |
| | surrounding heavens and earth. They are
|
| The most essential philosophy of China is
| |
| | all together. That is why Chinese
|
| the unity of Heaven, Earth and Human
| |
| | paintings are simple in composition and
|
| Beings. What the Chinese Painters are
| |
| | full of harmony, overall balance and peace
|
| trying to express is not what meets the
| |
| | with all of creation. They are interested
|
| eye, but their attitude to the Great
| |
| | in the mood and spirit.
|
| Nature. The Chinese painter has a profound
| |
| | Copyright 2004 © Ernesto Apomayta
|
| love and admiration for nature. It is
| |
| | Publishing guidelines: You may publish my
|
| part of their culture, religious practices
| |
| | article in your newsletter, on your
|
| and their need to depend on nature to
| |
| | website, or in your print publication
|
| survive.
| |
| | provided you include the resource box at
|
| In relationship to human and animal
| |
| | the end. Notification would be appreciated
|
| figures, the Chinese painter utilizes the
| |
| | but is not required.
|
