| Title: What Sets Chinese Painting Apart From | | | | Chinese painter utilizes the forms he finds in |
| Western Painting | | | | nature, such as ovals, circles, and geometric lines |
| Author: Ernesto Apomayta | | | | which are found also found in Chinese calligraphy. |
| Email: Word Count: 550 | | | | Thus, all Chinese paintings whether they are |
| Copyright 2004© Ernesto Apomayta | | | | landscapes or the human figure are painted with |
| Web address | | | | the same movement, rhythm, and harmony that |
| Publishing guidelines: You may publish my article in | | | | is used when drawing the forms of calligraphy. |
| your newsletter, on your website, or in your print | | | | Calligraphy is a form of art, even more revered |
| publication provided you include the resource box | | | | and honored than all other painting. |
| at the end. Notification would be appreciated but is | | | | In the same theme they may spend hours |
| not required. | | | | contemplating and drawing inspiration from the |
| What Sets Chinese Painting Apart From Western | | | | figures of nature such as humming birds with their |
| Painting | | | | fragile wings, the robust legs of the cricket, and |
| By Ernesto Apomayta | | | | the fascinating form of the praying mantis. From |
| Because of different instruments, materials and | | | | the minor or simple creatures that are chosen as |
| cultural background, Chinese paintings have their | | | | subjects of art work, we can see how they |
| own image and content in comparison to other | | | | enjoy the nature and the love they devote to the |
| types of paintings. Unique appearance of Chinese | | | | most humble things. |
| Painting owes much to the use of the Chinese | | | | The Chinese painter finds it offensive to |
| writing brush and the Chinese paper (rice and silk). | | | | contemplate and draw the human figure by itself. |
| There are four essential elements used in the | | | | Human beings are part of the surrounding |
| creation of Chinese Painting, the brush, ink, paper, | | | | heavens and earth. They are all together. That is |
| and the ink stone. Lacking any of them the job | | | | why Chinese paintings are simple in composition |
| cannot be done. | | | | and full of harmony, overall balance and peace |
| The most important factors for Chinese Painting | | | | with all of creation. They are interested in the |
| are the special pedagogy, the close relationship | | | | mood and spirit. |
| with the painter's personality and the unique | | | | About Ernesto Apomayta |
| Chinese philosophy. They are trained not only to | | | | Born and raised in Puno, Peru, Ernesto Apomayta |
| convey the objects but also express the mood | | | | was identified as an artistic prodigy at the tender |
| and the spirit of the subject. The Chinese also | | | | age of five. As a boy, Apomayta was first |
| believe that the painting is the expression of the | | | | influenced and inspired by the natural marvels |
| painter's knowledge and temperament. In this | | | | surrounding the humble home he shared with his |
| way, Chinese Painting becomes something much | | | | family. In close proximity to shimmering Lake |
| more than art. | | | | Titicaca, the striking beauty of the Andes and the |
| The most essential philosophy of China is the | | | | awe-inspiring Incan ruins of his ancestors, |
| unity of Heaven, Earth and Human Beings. What | | | | Apomayta was spiritually compelled to express his |
| the Chinese Painters are trying to express is not | | | | wonder visually through his paintbrush. A direct |
| what meets the eye, but their attitude to the | | | | ancestor of the legendary photographer, Martin |
| Great Nature. The Chinese painter has a profound | | | | Chambi, Apomayta derived inspiration from the |
| love and admiration for nature. It is part of their | | | | same native influences and his legacy that |
| culture, religious practices and their need to | | | | encouraged Apomayta to fulfill his own artistic |
| depend on nature to survive. | | | | destiny. |
| In relationship to human and animal figures, the | | | | |